HOLLOW SQUARE PRESS
  • HOME
  • BLOG
  • BOOKS
    • TOM'S BOOKS >
      • BAKER'S DAUGHTER, MILLER'S SON
      • BOY AT SEA
      • THE CURSE OF VILMA VALENTINE
      • A FEVER OF THE MAD
      • GHOST GUITARS
      • SOME TRICKS OF DESPERATION
      • TOM'S SONGBOOK
    • JONATHAN'S BOOKS >
      • A HOWLING IN THE NIGHT
      • RANTS, RAVES, RUMINATIONS, AND RAMBLIFICATIONS
      • SIREN SONG
      • TELLING STORIES
      • THE TURBERVILLES OF GREENSBORO, ALABAMA
  • FILMS
    • THE EARLY YEARS: 1970 - 1975 >
      • ALEX IN WONDERLAND, 1970
      • RYAN'S DAUGHTER, 1970
      • SHAFT, 1971
      • THE GANG THAT COULDN'T SHOOT STRAIGHT, 1971
      • THE WRATH OF GOD, 1972
      • THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS, 1972
      • THE LAST AMERICAN HERO, 1973
      • THE HAPPY HOOKER, 1975
    • THE MIDDLE YEARS: 1976 - 1981 >
      • GODZILLA VS. MEGALON, 1976
      • BOARDWALK, 1979
      • BLOW OUT, 1981
      • THE CHOSEN 1981
      • SO FINE, 1981
      • TATTOO, 1981
    • THE FINAL YEARS, 1982 - 1987 >
      • EASY MONEY, 1983
      • HARRY AND SON, 1983
      • THE LAST DRAGON, 1985
      • A GATHERING OF OLD MEN, 1987
  • SONGS
    • AN ASSORTMENT OF LYRICS
    • THE DARWIN THEORY
    • THE STONEWALLYA KID
    • A STRING OF BANJOS
    • BOOZE
  • PLACES
    • OLD SAWYERVILLE
    • GHOSTS OF SAWYERVILLE
    • HOLLOW SQUARE CEMETERY
    • PIE LAB
  • SEASONS
    • SPRING >
      • 1. Bulbs, Redbud, & Crabapple
      • 2. Azalea, Iris, & Dogwood
      • 3. Magnolia & Dootsie
    • SUMMER >
      • 1. Black-Eyed Susans, Day Lilies, & Four O'clocks
      • 2. Crepe Myrtle
      • 3. Tiger Lilies, Althea, & Naked Ladies
      • 4. AUGUST/SEPTEMBER
    • AUTUMN >
      • 1. FALL: THE EARLY SIGNS
      • 2. OCTOBER
      • 3. FALL: THE REST OF THE SEASON
    • WINTER >
      • 1. WINTER'S ON THE WAY!
      • 2. THE PROGRESS OF WINTER

MOVIES FOR THE CHRISTMAS SEASON

12/13/2016

0 Comments

 
Picture

Last night I finished watching my “Christmas Trilogy” of movies. Sunday afternoon I had started with “The Long Day Closes,” and that evening I watched “The Tree of Life.” I closed the next night with John Huston’s last movie, his adaptation of the brilliant James Joyce story “The Dead.”



Not a barrel of laughs. But then I have never found Christmas to be a barrel of laughs. Why were so many of the most beautiful Christmas songs written in a sad minor key? “I wonder as I wander out under the sky, why poor baby Jesus was born for to die.” Birth, but death as well.
 
Growing up, for me the excitement of Christmas was in the anticipation. What would Santa Claus bring? And as soon as the stockings were emptied and the presents opened, disappointment set in. Big letdown after such excited anticipation. And then, as we kids would roam the neighborhood to compare loot, more disappointment. Why did kids from families who didn’t go to church nearly as much as my family did get so many more and better toys from Santa? What you got was supposed to be based on how good or bad you were. Had I been bad? Was my family less worthy? (Shades of “The Book of Job.” Those questions! My parents tried to answer, but the answers never made sense. But then, perhaps it was great preparation for life.)
 
Too, after looking forward with anticipation, then comes a week in which one looked back. The year gone forever. Time in its flight.
 
No wonder that the movies I watch every year are something else other than sweetness and light.

“The Long Day Closes.” Writer/director Terence Davies in 1992 looks back on the time wheb  he was a pre-pubescent boy growing up in mid-1950s Liverpool in a family of mother, two older brothers, and an older sister. We know that the father has died (and if we have seen the earlier “Distant Voices, Still Lives,” we know him to have been a violent and abusive man). Like that earlier movie, it is filled with song: ‘If You Were the Only Girl in the World,” “I Don’t Know Why I love You Like I Do,” “At Sundown,” “Blow the Wind Southerly,” “We’re A Couple of Swells,” “Tammy,” “Carousel Waltz,” the titular song, and so many others, some sung by characters in the movie and some as voiceovers (the climax of the movie features Debbie Reynolds singing “Tammy” while the camera pans right to left looking down over tenement steps, crowds in a move theater, people in church, boys at school, and it is breathtaking).

Picture
 Also heard on the soundtrack are quotations from other movies: “The Ladykillers,” “Great Expectations,” two from “The Magnificent Ambersons,” and others.
 
The movie is about the effect of erosion on the human spirit. But it doesn’t depress me. It exalts.

“The Tree of Life.”
Terrence Malick’s greatest movie. A man in his middle years, a successful architect, reflects back on the death of his 19-year-old brother many years earlier and their lives as children, these childhood memories set in a framework that includes the birth, evolution and death of the universe (as well as “The Book of Job”). Along with “The Long Day Closes” and Spielberg’s “Empire of the Sun” it is among the greatest movies ever made about childhood. Along with “2001, a Space Odyssey” and very few others it ranks among the greatest spiritual and philosophical movies ever made. Its success in wedding the micro (details of three boys growing up in small-town Texas) with the macro (the birth and death of the universe and perhaps the face of God) overwhelms me.

Picture
It constantly asks the big “why” questions and provides if not answers at least resolution.

Visually and aurally it is one of the finest movies in history.


“The Dead.” No zombies in this one! And it is the one most nearly specific to Christmas, although the party to which most of the running time is devoted to takes place on Epiphany, the 12th day of Christmas. 1904. Dublin. Two elderly sisters and their middle-aged also spinster niece give their annual Twelfth Night party. They await their guest, dreading that nephew Freddie may show up (again) in a state of inebriation. They greet their guests as they arrive, a few of them new to the gathering and escorting some of the young ladies invited, music students of the niece. It is a cold night and there is dancing to warm guests. The elder sister, who once many years ago had a good soprano voice, is persuaded to sing an aria. An older man is persuaded to perform one of his dramatic readings. Another nephew, Gabriel, who had arrived almost late with his wife Gretta, keeps looking at notes for the speech he is to give following the dinner.

Picture
The gathering is filled with good manners among the guests, although there are tiny hints that all is not perfect in the world. Gabriel is taunted by a bluestocking revolutionary for lack of proper Irishness. Gretta has moments in which she seems sad and removed. Tensions are evident between Freddie and his temperance-minded elderly mother. One of the hostesses remains angry that the Pope had replaced woman choirs with little boys But these seem ripples in an almost perfect world. Politeness and good form prevails.
 
They retire to dinner. Goose. Gabriel carves (his wife is later to serve the pudding). Wine, perhaps too much after earlier beverages. Heated discussions follow about opera performances and voices now and back when. Religion and politics briefly raise their ugly heads. But all is made well when Gabriel makes his post-meal speech about the kindness and graciousness of their hosts.
 
People began to leave the party, Gabriel and Gretta among the last ones to leave. When Gretta is descending the staircase to the entryway with Gabriel waiting at the foot, a tenor voice sings an old ballad about love and loss. The director holds on their faces, especially Gretta’s, with never a cut to the singer. Gretta is deeply move.
 
We follow them in their carriage to the hotel where they are spending the night instead of returning to their country home in the cold snow. Gabriel explores with his wife her somber mood. She tells him at length of a young boy, one Michael Furey, who had died many years ago at the age of 17 after waiting outside her window in the snow. She falls into bed, sobbing, and Gabriel comforts her while she falls asleep.
 
And then we watch Gabriel as he wanders about the room and looks out as the snow and back over life and time and forward as well, to the likely approaching death of his elder aunt. At the very end of the beautiful soliloquy, among the most beautiful pieces of writing in the English language, we first hear the words “the dead.”
 
Is it a great movie? I’m not sure. But it is a worthy screen adaptation of a great work. And I love it.
 
And here is the latter part of that last speech:

“ . . . One by one, we're all becoming shades. Better to pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age. How long you locked away in your heart the image of your lover's eyes when he told you that he did not wish to live. I've never felt that way myself towards any woman, but I know that such a feeling must be love. Think of all those who ever were, back to the start of time. And me, transient as they, flickering out as well into their grey world. Like everything around me, this solid world itself which they reared and lived in, is dwindling and dissolving. Snow is falling. Falling in that lonely churchyard where Michael Furey lies buried. Falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living, and the dead.”

Picture
0 Comments



Leave a Reply.

    Archives

    October 2022
    September 2022
    July 2022
    June 2022
    April 2022
    March 2022
    February 2022
    June 2021
    January 2021
    September 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    December 2019
    November 2019
    October 2019
    September 2019
    July 2019
    May 2019
    March 2019
    February 2019
    January 2019
    October 2018
    September 2018
    February 2018
    August 2017
    July 2017
    April 2017
    March 2017
    December 2016
    November 2016
    September 2016
    March 2016
    January 2016
    December 2015
    April 2015
    October 2014
    September 2014
    July 2014
    June 2014
    May 2014
    March 2014
    February 2014
    January 2014
    November 2013
    October 2013
    September 2013

    Categories

    All
    Books
    Eating
    Flowers
    Movies
    Pie Lab
    Stanley Kubrick
    Terence Davies
    Terrence Malick
    Weather

    RSS Feed

    Picture

    contact form

Submit